Winslow Homer’s artistic journey carried him from a widely admired illustrator to one of the most influential painters in American art. Beginning with works such as Sharpshooter on Picket Duty (1863, Portland Museum of Art) and extending to late masterpieces like Driftwood (1909, MFA Boston), Homer continually reinvented his approach and deepened his vision.
Originally sent by Harper’s Weekly to document the Civil War, he focused on the human dimensions of conflict rather than battlefield heroics. In the 1870s he began to explore watercolor, a medium that opened new expressive possibilities, and he traveled to England to further refine his technique.
After establishing a studio at Prout’s Neck, Maine, Homer turned his attention to the elemental struggle between people and the natural world, producing the dramatic seascapes for which he is now renowned. Seeking relief from Maine’s severe winters, he also traveled repeatedly to the Bahamas, Cuba, and Florida from the mid-1880s onward, creating luminous watercolors that capture tropical light, color, and daily life.
Homer’s career was a sustained effort to portray the American experience and the natural world with clarity, honesty, and innovation—an effort that secured his place as a cornerstone of American art. Together, we will trace this remarkable evolution, with optional visits to local museums and to Homer’s studio at Prout’s Neck, Maine.
Group Leader: Beth Sanders
Venue: Beacon Hill Friends House
Meets on: Tuesday 3:30 PM to 5:30 PM
Starting: April 7
Sessions: 5
Class Size: 25
Teaching Style:
Weekly Preparation:
Beth has pursued an artistic, culinary and botanical path in Boston; Genolier, Switzerland; Durham, North Carolina; Padova and Rome in Italy; and Portland, Maine; at museums, universities, and botanical gardens. She is currently a docent at the Portland Museum of Art Winslow Homer Studio as well as a guide and floral designer at the MFA, Boston. Beth is a member of the board of directors for Beacon Hill Seminars and has led seminars on a variety of topics. Her botanical illustrations and calligraphy are found in international collections and in graphic design publications.